By Jonathan D. Green
In A Conductor’s advisor to chose Baroque Choral-Orchestral Works, Jonathan D. Green's 6th book-length contribution of courses for conductors, he bargains this significant other to his significantly acclaimed A Conductor’s consultant to the Choral-Orchestral Works of J. S. Bach. during this quantity, eco-friendly addresses works of the Baroque period from Monteverdi via Bach's contemporaries.
In addition to short biographical sketches for every composer, eco-friendly comprises for every paintings the approximate period, textual content assets, appearing forces, at present to be had versions, destinations of manuscript fabrics, notes, functionality matters, assessment of solo roles, review of trouble, and a discography and bibliography. length details comes from quite a few assets, yet eco-friendly turns to genuine recording occasions of performances. the aim of this booklet is to assist conductors in picking out repertoire acceptable to their wishes and the talents in their ensembles. The discographies and bibliographies, whereas now not exhaustive, function worthy beginning issues for extra research.
A Conductor’s consultant to chose Baroque Choral-Orchestral Works should entice conductors in aiding their live performance programming. Librarians and song pupil also will locate this paintings an incredible reference name for the learn of Baroque repertoire.
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Additional info for A Conductor’s Guide to Selected Baroque Choral-Orchestral Works
Solal: 4. Selected Bibliography Stahl, Wilhelm: Dietrich Buxtehude, second edition, 45, 47, 49, 51. Kassel: Bärenreiter, 1952. Kilian, Dietrich: Das Vokalwerk Dietrich Buxtehudes: Quellenstudien zu seiner Überlieferüng und Verwendung, 190, 222. Free University of Berlin: dissertation, 1956. Sørenson, Søren: Diderich Buxtehudes vokale kirkenmusik: Studier til den evangeliske kirkekantates udviklingshistorie, 34, 83, 86, 91, 172, 180, 187, 313. Copenhagen: Ejnar Munksgaard, 1958. Geck, Martin: Die Vokalmusik Dietrich Buxtehudes und der frühe Pietismus, 31, 45, 52, 57, 191.
Autograph: Manuscript materials may be found in the Uppsala Universitetsbiblioteket (51:5 and 82:35). Performance Issues: This work can be effectively performed by a solo vocal trio, with choir providing all of the ensemble work, or with choir providing the final versus and soloists singing the other ensemble passages. The two solo soprano sections are nearly musically identical, presenting two successive strophes. Buxtehude has implemented his most conservative vocal writing for this final section, which makes this a good choice for a novice choir with a good trio available.
Autograph: Manuscript materials may be found in the Uppsala Universitetsbiblioteket (50:14 and 85:1-18). 32 The Works Notes: This cantata incorporates the anonymous hymn tune Erhalt uns, Herr, bei deinem Wort (1543). This tune and text also serve as the foundation for J. S. Bach’s cantata of the same name, BWV 126. Performance Issues: This work is an elaborate and effective presentation of a four-part setting of a Lutheran hymn. The hymn is presented with instrumental ritornelli between each vocal phrase.
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works by Jonathan D. Green